Will Eisner
One of the pioneers of the industry. Like wine, he creations gets better with age.
He has since left the world but his works will always leave a lasting impression for many many years to come. Here is a tribute to the great Will Eisner.
William Erwin Eisner (born March 6, 1917, Brooklyn, New York City, New York, United States; died January 3, 2005, Lauderdale Lakes, Florida) was an acclaimed American comics writer, artist and entrepreneur. He is considered one of the most important contributors to the development of the medium and is known for the cartooning studio he founded; for his highly influential series The Spirit; for his use of comics as an instructional medium; for his leading role in establishing the graphic novel as a form of literature with his book A Contract with God and Other Tenement Stories; and for his educational work about the medium as exemplified by his book Comics and Sequential Art.
The son of Jewish immigrants — his father a former painter, marginally successful entrepreneur, and one-time manufacturer in Manhattan’s Seventh Avenue garment district — Eisner attended De Witt Clinton High School. There he drew for the school newspaper (The Clintonian), literary magazine (The Magpie) and yearbook, and did stage design, leading him to consider doing that kind of work for theater. Upon graduation, he studied under Canadian artist George Brandt Bridgman (1864-1943) for a year at the Art Students League of New York. Contacts made there led to a position as an advertising writer-cartoonist for the New York American newspaper. Eisner also drew $10-a-page illustrations for pulp magazines, including Western Sheriffs and Outlaws.
Wow, What a Magazine! #3 (Sept. 1936): Cover art by a teenaged Will EisnerIn 1936, high-school friend and fellow cartoonist Bob Kane, future creator of Batman, suggested that the 19-year-old Eisner try selling cartoons to the new comic book Wow, What A Magazine!. “Comic books” at the time were tabloid-sized collections of comic strip reprints in color. In 1935, they began to include occasional new comic strip-like material. Editor Jerry Iger bought an Eisner adventure strip called “Captain Scott Dalton”, an H. Rider Haggard-styled hero who traveled the world after rare artifacts. Eisner subsequently wrote and drew the pirate strip “The Flame” and the secret agent strip “Harry Karry” for Wow as well.
In the late 1970s, Eisner turned his attention to longer storytelling forms. A Contract with God, and Other Tenement Stories (Baronet Books, Oct. 1978) is one of the first American graphic novels, combining thematically linked short stories into a single square-bound volume. Eisner continued with a string of graphic novels that tell the history of New York’s immigrant communities, particularly Jews, including The Building, Dropsie Avenue and To the Heart of the Storm. He continued producing new books into his seventies and eighties, at an average rate of nearly one a year. Remarkably, each of these books was done twice — once as a rough version to show editor Dave Schreiner, then as a second, finished version incorporating suggested changes. 8
In the introduction to the 2001 reissue of A Contract with God, Eisner revealed that the inspiration for the title story grew out of the 1969 death of his leukemia-stricken teenaged daughter, Alice, next to whom he is buried. Until then, only Eisner’s closest friends had even been aware that he and his wife, Ann Weingarten Eisner, had a daughter. They also have a son, John.
Some of his last work was the retelling in sequential art of novels and myths, including Moby Dick. In 2002, at the age of 85, he published Sundiata, based on the part-historical, part-mythical stories of a West African king, “The Lion of Mali”. Fagin the Jew is an account to the life of Dickens’s character Fagin, in which Eisner tries to get past the sterotyped portrait of Fagin in Oliver Twist. His last graphic novel, The Plot, an account of the making of the anti-semitic hoax The Protocols of the Elders of Zion, was completed shortly before his death and published in 2005.
Eisner has been recognized for his work with the National Cartoonist Society Comic Book Award for 1967, 1968, 1969, 1987, and 1988, as well as its Story Comic Book Award in 1979, and its highest accolade, the Reuben Award, for 1988.
He was inducted into the Academy of Comic Book Arts Hall of Fame in 1971, and the Jack Kirby Hall of Fame in 1987. The following year, the Will Eisner Comic Industry Awards were established in his honor.
“As a soul, Will was generous, ambitious, insightful, and fair. He did not hesitate to give of himself in these last decades. A constant presence at conventions, Will made equal time for the captains of this industry, the aspirants looking to break in, and the fans whose lives he touched with his body of work. He was always a gentleman, in the classical sense, where the word actually means something beyond mere politeness.”
-Charles Brownstein (Executive Director for Comic Book Legal Defense Fund)
“…I’m going to miss him enormously, more than I can say. I made a speech last year, where I said how strange it was to discover that the gods of comics, the people who made the medium, were, when I met them, cranky old Jews. Will Eisner wasn’t cranky, and he was never old. He was, in all ways, a mensch.
And I keep weighing it in my head, the sorrow at losing Will with the knowledge of how fortunate I was to have known him (”you’re always sorry, you’re always grateful,” as Sondheim said about something quite different).
I’m more grateful than sorry.”
-Neil Gaiman
Will Eisner died of complications from a quadruple bypass surgery performed on December 22, 2004 in Lauderdale Lakes, Florida.
I am a big big fan of his. And I sure am not the only one around. He and Alan Moore are so different in terms of their personality but there is no doubting both of their literally genius.
He seems like an eccentric character eh? With all that long fuzzy hair and his continued contempt for Hollywood movies inspired or adapted from his comics. Well, if you look deeper into the reasons, you can empathize with him. V for Vendetta the movie was good BUT if you (like me) had read the comic before hand, you would have found the movie has done a great deal of injustice to the graphic novel.
